art

Culture & Leisure

Art exhibition calls Hong Kong people to reflect on the meaning of migration

The Cypher Vol. 10: Migration A Self-Return Show exhibits works from five local artist units, calling people to reflect on the significance of migration. The art exhibition takes place at Negative Space in Wan Chai from Jan. 16 to Jan. 30. It is co-organised by Video Cypher, a platform that gathers local video creators since 2017. The 15-day exhibition is a sequel to the online screening last November, where five local artist units were invited to produce a video on the topic "Migration". Installations and decorations shown in the exhibition are a self-reflection of the artists as a form of continuation to their work. S Chan, the curator of the exhibition, mentioned that the artists emphasized the change of physical distance in their work of their own accord.  Ms Chan therefore decided to conduct the exhibition in a home-like area to illustrate a sense of familiarity for people to reflect on migration. The exhibition area is paved with foot massager pads to convey a sense of painfulness to the visitors. "The foot massager pads are associated with the sea water background on the poster, through which we would like to analogize the difficulty of migration," Ms Chan explained. The first artwork, "Road to Nowhere", is a two minute animation made by Ziki Cheung Kit-yin. The animation makes people reflect if migration is still a good option for people to escape from the problems in their home country and have a fresh start in a new place even when there are problems all around the globe.  An installation of bowling pins placed in front of a television with the ball is set in front of the screen, which Ms Cheung created to further evolve the message presented in her animation. "The bowling pins are associated with the television which trapped the …

Society

Art exhibition brings Hongkongers’ attention to the unattended cracks in the city

Local artist Yeung Tong-lung showcases his artwork which reminds Hong Kong people of the neglected parts of the city while COVID-19 has won all attention. Presented by Blindspot Gallery, in collaboration with a local independent bookstore -- Art and Culture Outreach, the Daily Practice is a solo art exhibition showing Mr Yeung’s artwork which was completed during 2015 - 2020. Amongst all pieces, Mount Davis, which illustrates the Yangge Dance Incident that happened in June 1950, is the featured artwork. Holding an art exhibition amid the fourth wave, though fewer visitors were expected, they believed that it was the right timing to make it happen. “In the past few months, Hong Kong people have been stressed over the pandemic,” said Wong Man-ying, one of the visitors. “Everyone seems to have their complete focus on getting themselves away from any possibility of being infected. To some extent, we became selfish. But in fact, there are people who really need help.” Although none of the art pieces demonstrates individuals being affected by the pandemic, or any pandemic-related scenes, showing the daily life of the minorities in Hong Kong could give visitors a heads up of the existence of these vulnerable groups, and that they could be suffering at this critical time, said Ms Wong. “It is rare for [Yeung] Tong-lung to hold a solo art exhibition or to display his work in any other exhibitions,” said Wong Cheng-yan, manager of Mr Yeung and gallery manager of Blindspot Gallery.  My Yeung’s last exhibition was in early 2019. Thus, even though the exhibition rolled out as the pandemic was prevailing, a lot of Mr Yeung’s friends and special guests still attended the opening reception.   Daily Practice’s opening reception was held on Jan. 19 at Blindspot Gallery in Wong Chuk Hang. The exhibition period …

Hong Kong sees growing popularity in Himalayan art

  • 2017-10-06

According Sotheby, one of the world's largest auction house, there were 3 auctions with more than 60 pieces of Himalayan art held in 2016, making a total sale of $4.8 million (about HK$38 million), compared to only only 1 similar auction in 2012, with total sale of only $1.8 million (about HK$14.5million). Much of Himalayan art are paintings and sculptures composed of unique symbols and patterns from Buddhism, Hinduism and various tribal cultures. "There's  growing interest  in Himalayan art in  Hong Kong, Taiwan, and mainland China. But the largest growth is here in Hong Kong," said Fabio Rossi, the owner of Rossi & Rossi gallery. Founded in London, Rossi and Rossi has handled a lot of antiques and art from the Himalayan region, specifically from Tibet, Nepal, and Kashmir over  the past decades. Rossi brought over 30 pieces of Himalayan classical art and early textiles to Fine Art Asia this year. Those  include a bronze statue of Avalokitèshvara, a bodhisattva from Nepal in 13th-14th century, valued at about $3 million U.S. dollars (about HK$23.4 million). Fine Art Asia, a leading international annual art fair in Asia, features Himalayan art from more than seven top international galleries this year. Gan Ting, 30,  graduated from art school and is now works for an art investment company. Gan loves Tibetan culture and art work, especially thangka, a form of Tibetan Buddhist painting on cotton, silk appliqué, or human skin. "I like to look into different parts and details of thangka so I can get different meanings from them," said Gan. The price of thangka increased significantly these years, from a few thousands to a hundred thousands US dollars, Gan told us. "For example, I saw a  big piece of thangka selling for around $1.8 million U.S. dollars(about HK$14 million) and even a small …